![]() ![]() Now, you can make groups, choose more easily what you see when editing (revealing samples as you play, for instance), and set modulation per zone. Updated Multisampler Editor: Bitwig’s Sampler already had multisampler capabilities – letting you combine different samples into a single patch, as you might do for a complex instrument, for instance. The standard for end-to-end production, Studio One is the DAW that does it all. Only Studio One 5 provides integrated tools that take you from initial inspiration to mastered production full-length album to setlist on stage. If they’ve nailed it, it could be a reason to switch to Bitwig. Record, produce, compose, mix, master, and perform all from a single, intuitive application. This opens up a lot of live performance and production options. Yeah, so those last two are to me the way Ableton Live should have worked from the beginning – and the way a lot of Max, Reaktor, Pd, and SuperCollider patches/code might work – but it’s fantastic to see them in a DAW. That emulates the position of a needle on a record or playhead on a tape, or the position in a granular playback device, depending on mode – and this is in every single mode. Independent speed, grain size, and grain motion (randomization) are all available as parameters.įreeze: Each mode lets you directly manipulate the sample playhead live, using a controller or the Bitwig modulators. “Textures” / Granular resampling / independent pitch and speed: Granular resynthesis divides up the sound into tiny bits allowing independent pitch and time manipulation (in combination), and textural effects. ![]() (In other words, you can scale from realistic-sounding speed changes to extreme metallic variations.) There’s also a Formant control, and the ability to switch on and off keyboard tracking. ![]() “Cycles” / Speed only: Speed changes, pitches stay the same. “Repitch” / Speed + pitch together: The traditional sampler mode, with negative speeds, too (allowing it to behave the way a record player / record-scratch / tape transport does). At its heart are multiple modes that combine effectively different instruments and ways of working with sound into a single interface: The re-built Sampler introduces a powerful wavetable/granular instrument. Those modes on their own aren’t new, but this is a nice way of combining everything into a single interface. #Bitwig studio setlist full#Can't recall now the full details but should be archived somewhere on SHF.Meet the new Sampler: manipulate pitch, time, and the two in combination, either together in a traditional fashion or independently as a digital wavetable or granular instrument. But apparently, something happened to the re-issue and that was what people were complaining about online. Sorry for the length… the past beckoned!The release in question is this one. One of the good things about CDs (compared to records) was that analog playback signal coming out of the CD player, if it played back at all, was always very very close to the mastering engineer’s intended playback sound. Any one error or combinations of errors could make the resulting record “sound bad” on playback.įor CDs, I could screw up the pre-digitizing analog mastering process in ways that would make the resulting CD sound wrong or bad, but any errors beyond mastering never resulted in a playable CD, so those errors didn’t make the CD sound bad. )Īs a mastering engineer from that era, I can say that there were many steps that could go wrong in mastering and manufacture for analog records. It made me question the validity of all live albums ever released. #Bitwig studio setlist tv#They were all full on over dub nd mixing recording sessions for live albums and TV show specials to be released or aired. Also, there was an issue with the CD pressings, so apparently there is a pressing that is of very poor quality, and another (which I have) that is much better.īut buyer beware, one of the fist jobs i had in music after finishing fake producer engineering school was assistant in a recording studio right across the road from a large TV broadcast station and all they did was live albums and live shows. Not the best of Live but the double Live album. There was also one that James Taylor released during the Copperline tours, which I thought sounded amazing. I recall listening lots of those old live rock albums and thought Bob Segers live album were amazing. This is one of those things where much depends on your taste in music. ![]()
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